The Opera to me had always been a closed off social event reserved only for the upper strata of society and of course Italians… but after my recent attendance of La Traviata I learned that anyone could buy a ticket and no knowledge of Italian is required.
After the guidance from my professor who told me most people get dressed up for the opera. I decided to wear a suit I had made for an art show a few years ago that incorporated my blood into the series of paintings I was presenting. The intention was to show proper reverence to the event but also to inject a bit of my own personality whilst being a part of the collective. This took my friend Hugh by surprise when we met prior to the performance, and it made me an easy target to spot when trying to find other friends from class as well as make new ones along the way.
Prior to finding my seat I enjoyed the pageantry of the other Opera attendants along with engaging conversation at the bar. That is until I was cut off mid-sentence by some bells that I initially mistook for a #ClassyAF fire alarm but became relieved to find they only meant for me to find my seat.
The Lincoln Center theatre in and of itself is an architectural beauty that allows for smooth flow of people in, out and throughout the venue but the true wonder is how it allows for the sound to reverberate in such a way that made my cheap seat next to the rafters feel like I was center orchestra. Once La Traviata began my only comprehension of what was being said came from the rudimentary Italian I acquired from being cursed at by an ex-girlfriend who was from Rome but despite the language barrier I still found myself fully immersed in the entire production. The costumes, lighting, orchestra, singers, and stagehands working together harmoniously left me in awe. Which left me dumbfounded to find that the first act was over in what felt like five minutes, where in actuality was closer to forty-five.
During the first intermission I went back to the bar and found I wasn’t alone in how impressed one was left to feel as a first time Opera goer. One person from class who intended to sneak out after the first act decided to stick around for the second because of how audially and visually impressive the experience was. When the Bells started singing again, I finished my drink and stumbled back to my seat but was not prepared for what I was in store for. As the stage morphed before my eyes in a seamless manner that eventually welcomed a Cirque du Soleil troop of dancers whose pageantry felt almost like a non sequitur from the storyline, but I wrote that off as a result of the language barrier.
When the next intermission began, I overheard my neighbors discussing the story in such depth I assumed they had either program notes or just a stronger command of the language. They responded that they had just been reading the word for word translation that appeared in the velvet railing in front of the seats that I had been totally oblivious too.
“Wait… You’ve had no idea what they had been saying this entire time.” They inquired.
Trying to save a little face I responded, “Well I know some basic Italian that allows me to know who is who but beyond that… not much else.”
This elicited some laughter although not of condescension but from curiosity “Then how have you been enjoying the show?” They asked with an encouraging smile.
Up until that point I listened with an open heart using the emotions and the drama acted out on stage to inject myself into the story line with friends and events that have occurred in my life (if my dating record will show anything it is that I have a similar taste in woman as the male lead). This form of listening allowed me to appreciate the singers’ voices as instruments in a harmonic conversation with the orchestra and since I had gone two out of three acts in this style I figured why shift gears at this point.
The last act contained a dream sequence that brought me down from the excitement that was elicited from the second act and prepared me to reenter the world with a new found love and appreciation for the opera. Although I wasn’t exactly sure when it was over because I never heard a beautiful Rubenesque woman sing.